Christie's
New York Fall Asian Art Week Totals $70.75 Million, 2nd Highest Total
For Christies New York Asian Art Week. The Fine Chinese Ceramics and
Works of Art Sale Totaled $34,115,000. The Chinese Works of Art
Sales, Including Archaic Bronzes from The Anthony Hardy Collection
Totaled $55.5 Million, the Highest Total for a Series of Chinese Art
Sales in New York
Sandhya
Jain-Patel (hand) with Lot 39, “A Silver Cup,” Gandhara, Circa Late 1st
Century B.C.-Early 1st Century A.D., 5 1/8
inches high, from the
Collection of Julian Sherrier, and Lot 32, “A Gray Schist Figure of
Buddha,”
Gandhara, 2nd-3rd
Century, 21 inches high
By Michele Leight
This sale of Indian and
Southeast Asian Art at Christie's September 14, 2010 includes
over 200 bronzes, sculptures and
paintings from India, the
Himalayas, Gandhara, and Indonesia and features exceptional and
rare Gandharan silver from the collection of
Julian Sherrier acquired in 1979, including goblets, bowls, and sieves,
and a
ladle dating from the Late 1st century B.C. to the Early 1st
century A.D., many bearing inscriptions with the owner or donor’s name
that are
of Greek, Iranian, Scythian and predominantly Indian origin.
Gandharan Silver from The Collection
of Julian Sherrier
Left, Lot 39, “A
Silver Cup,” described above; Center: Lot
33, “A Roman silver kantharos,” Gandhara, circa late
1st century B.C.- early 1st
century A.D. Cast and
decorated in roupousse; inscription in Karoshi above the bearded
figure, with a
turned foot separately made. 4 5/8 inches high; Left: Lot
58, “A silver footed bowl with
mesomphalos,”Gandhara, circa late 1st century B.C. - early 1st century
A.D.; 8
5/8 inches diameter. All from the Collection of Julian
Sherrier
A Roman silver “kantharos,”
or cast and repousse cup, also from Gandhara, Lot 33, (estimate $150,000 to
$250,000),
depicts a mythological tale of Centaurs attempting to abduct women from
a
wedding feast - called the Centauromachy. It dates from the late 1st
century B.C. to the early 1st century A.D. Lot
33 sold for $434,500 including the buyer's premium as do all results
mentioned in this article. It was the top lot of the sale.
Lot 40, “Three Silver
Aryballoi,” Gandhara, circa late 1st
Century B.C-Early 1st Century A.D.
The art of Gandhara shines on
in a striking
“Silver Cup” (Lot 39), with distinctive ribbed walls, possibly from
Taxila - a
famous Gandharan archaeological site - dating from the late 1st
century B.C. to the early 1st
century A.D., illustrated at the top of this story.
The inscription reads
“Property of Dhraasena, son of Anantasena, sadera 12.” Lot
39 is held in the hand of Sandhya Jain-Patel, Christie’s Specialist for
this
sale, and has an estimate of $50,000 to $70,000. Beside it is Lot
32, “A Gray Schist Bust of Buddha,” from Gandhara, 2nd-3rd
Century, which has an estimate of $60,000 to $80,000), with a
halo, flowing robes, and two
dangling lotus flowers with long stems on either side of his serene
face. Lot 39 sold for $56,250. Lot 32 failed to sell.
Other
Indian and Southeast Asian Art
Lot 17, “A Gray Schist
Head of
Buddha,” Gandhara, 2nd - 3rd
Century, 7 ¾ inches high
Lot 21, “A Gray Schist
Figure
of Maitreya,” Gandhara, 2nd-3rd Century, 29 7/8
inches high
Beautiful
examples of Gandharan sculpture are also on
offer at this sale, including Lot 17, a graceful “Gray Schist Head of
Buddha,”
with a reasonable estimate of $25,000 to $35,000, and Lot 21, “A Gray
Schist Figure
of Maitreya,” Gandhara, 2nd-3rd
Century, with diaphanous
robes, standing with feet slightly apart on a base with a flaming stupa
(estimate $30,000 to $50,000). Other Gandharan statues and reliefs on a
smaller
scale are featured in the display case below, with estimates in the
range of
$5,000 to $10,000. Lot 17 failed to sell. Lot 21 sold for $37,500.
Small Gandharan
Sculpture and Reliefs, circa 2nd-3rd
Century
Warm gold offers an
alternative to silver in a dazzling group of Himalayan gilt bronzes,
highlighted by a stunning 14th century
“Important Gilt Bronze Figure
of Amitayus,” from Tibet, Lot 88, with an estimate of $600,000 to
$800,000.
Lot
88, “An Important Gilt
Bronze Figure of Amitayus,” Tibet,
14th Century, 16 ¾ inches
The
Buddha Amitayus is the Buddha of Infinite Life, shown meditating, his
hands possibly
holding a jar containing the exilir of immortality. The high copper
alloy
content of this exquisite bronze, visible beneath the rich gilding, was
most
likely the work of Newari craftsmen. Lot 88 has an affinity with Lot 100, “A Large and Important
Gilt Bronze Figure of
Vajrasattva,” (estimate $500,000 to $700,000), illustrated below, a
superb work
from the 15th Century, with a rapturous
expression and fantastic
foliate tiara. While both bronzes were Tibetan commissions created by
Newari
craftsmen, it is not clear whether the sculptures were cast in Nepal or Tibet. Lot 88 failed to sell.Lot 100 failed to sell.
Lot 100, “A
Large and Important Gilt Bronze
Figure of Vajrasattva,” Tibet
or Nepal,
15th Century, 16 ¼ inches high
Treasures for the collector
come in all sizes. Exuding peace and tranquility, a group of small gilt
bronzes
glow in a display cabinet, (illustrated below), especially effective “en
masse.” For
those who would like to own a Buddha of Eternal Life, there are
several exquisite gilt bronze figures of Amitayus on offer from
$4,000 to $8,000,
from the 16th to 18th century.
Gilt bronzes glow within a
display case in Christie’s
galleries
An absolutely amazing
embroidered silk thangka, Lot 149, entitled “A Large
and Important Silk
Applique Thangka of Offerings to Vajrabhairava,” from Mongolia,
created circa 1800, has an estimate $250,000 to $350,000. This is a
treasure not
only for the art collector, but also for the animal lover and
environmentalist;
it is overflowing with wildlife, creatures and plants - there are yaks,
tigers,
horses, camels and elephants below, and black birds with human, tiger
and
elephant skins above. If that is not enough there is also a pond in a
palace,
signifying the universe. Lot 149 failed to sell.
Lot 149, “A Large and
Important Silk Applique Thangka of
Offerings to Vajrabhairava,” Mongolia,
circa 1800; 53 ½ by 94 ½ inches
Of course there are deities,
including wrathful ones, who must be appeased with offerings, including
some
poor animals that are relegated to the extremities, left and right.
This
beautiful thangka was used in a shrine room, a
“universe” exquisitely
embroidered in a horizontal format as part of a uniquely Tibetan type
of
painting known as rgyan
tshogs
(“sets of ornaments”), or bskang rdsas
(materials for the banquet). It was exhibited in “Visions of the
Cosmos: From
the Milky Ocean to an Evolving Universe,” at the Rubin Museum of Art in
New York City, from
December 2009-May 2010. A detail from the thangka, illustrated below,
depicts energized black Yaks and a camel.
Detail of Lot
149,
depicting Yaks and a Camel
“Tibetan Art from
The Lauf Collection” includes the masterpiece illustrated here, Lot 139, “A Thangka of the Ninth
Karmapa, Wangchug
Dorje,” who is depicted seated in a verdant mountain landscape on a
lion
throne, with tables of offerings in front of him, both real and
imagined:
jewels, tea, oranges, and fine incense, among others. Exquisitely
painted (see
detail) in flowing red and gold robes, wearing a black hat, and holding
the
golden long-life vase, his inner red and orange robes are those of a
fully
ordained monk, while the richly patterned gold outer garment is his
meditation
cloak. Lot 139 sold for $164,500.
Lot 139, “A Thangka of
the Ninth Karmapa, Wangchug
Dorje,” Tibet,
18th Century, Tibetan Art from the Lauf
Collection
Front: Lot 61, “A Rare
Articulated Bronze Mandala of Chakrasamvara and Vajravarahi,”
Northeastern India, Late Pala Period, 13th
Century; Rear: Lot 134, “A Thangka of Gyalwa Drigung Chenpo
Konchog Tendzin Chokyi Nyima,”Tibet,
18th
Century, Opaque pigments and gold on textile, 22 ¼ by 16 inches
Another
thangka,“Lot
134, “A Thangka of
Gyalwa Drigung Chenpo Konchog Tendzin Chokyi Nyima,” also from The Lauf
Collection is shown above with extraordinary Lot
61, “A Rare Articulated Bronze Mandala of Chakrasamvara and
Vajravarahi,”
(Property from the Collection of a Gentleman), with an estimate of
$70,000 to $90,000. Lot 61 sold for $122,500. Christie’s catalogue for this sale notes:
“This
remarkable and iconic concept of a lotiform mandala has articulated
petals that
close to form a lotus bud. First conceived in Northeastern
India
during the Pala Period (9th-13th
centuries), very few examples remain from the period and are generally
of
smaller size. A revival was sparked in China during the early 15th
century inspiring splendid gilt bronze examples during the Yongle
period. The
construction is a technical tour-de-force, with the stem containing an
iron
armature and mechanically joined to the separately cast base.”
Lot 152, “A Thangka of
Tinuma
Vajrayogini,” Tibet,
12th Century, Opaque pigments and gold on
textile, 24 ¾ by 16 ½
inches
Lot 152, “A Thangka of Tinuma
Vajrayogini, shown above,
is unusual because it depicts a goddess. Created in Tibet in the 18th
century, the red yogini is depicted dancing on a prostrate figure in
startlingly lifelike fashion, holding a scull cap and knife. The other
participants are long life deities (above), four Tara
figures on either side - including a rather gruesome “Tara Burning” to
her
right - and a world protector deity directly under her. Lot 152 sold for $43,750.
Lot 70, “A Rare and
Important Gilt Bronze Figure of Avalokiteshvara,” Nepal,
Circa 9th-10th
century
There
are so many gems in this sale it is not
possible to include them all, sadly. The examples illustrated here give
some
idea of the fine quality, ancientness and incredible beauty of art on
offer
this week.
Lot 158, “A Blackstone Stele of
Umamaheshvara,”
Northeast India,
Pala Period, 11th Century, 29 inches high
Lot
70, “A Rare Gilt Bronze Figure of
Avalokiteshvara,” (9th-10th
Century) from Nepal, has an
estimate of $400,000 to $600,000; Lot 158, “A Blackstone Stele
of Umamaheshvara,”
Pala Period, 11th Century, (estimate of $80,000
to $120,000), is a
tender depiction of Shiva and his wife Parvati, each embracing the
other,
framed by a graceful halo with a beaded edge. A graceful “Bronze Head
of a
Buddha” (Lot 235) is from Thailand. Lot 70 failed to sell. Lot 158 sold for $12,500. Lot 235 sold for $30,000.
Lot 235, “A Bronze Head
of
Buddha,” Thailand,
Sukkothai Style, 15th Century, 15 ½ inches
A scene-stealer, Lot 216, “An
Illustration
from the Bhagavata Purana: Krishna and Balarama Battling Jarasingha”
has all
the attributes of a Mughal Miniature painting, but in fact it is from Nepal. It is
estimated at $6,000 to $8,000. It sold for $7,500.
Lot 216, “An Illustration
from the
Bhagavata Purana: Krishna and Balarama Battling Jarasingha,” Nepal, Circa
1775, Opaque pigments and gold on wasli, 13 ¼ by 20 1/8 inches, from
The
Collection of Margaret and Robert Jaffie.
Lot 179, “A White Marble
Throne,” India,
Rajasthan, 18th-19th
Century
The carving of this throne (Lot 179, estimate
$15,000 to $20,000) is as fine as lace, an
elegant fusion of floral scrollwork, gentle geometry and technical
wizardry. It
also offers easy access to the “seat” via two thoughtful steps. The throne is so
enticing it encourages
dreams of magical palaces lit by moonlight - and boarding a plane to India. It sold for $18,750.
The sale total was $3,981,375.
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