Stevie Eller
Dance Theater at the University of Arizona in Tucson by Gould
Evans, 2003
One of the
most spectacular works in the book is the Stevie Eller Dance Theater at
the University of Arizona in Tuscon by Gould Evans, which is based in
Phoenix. The building was completed in 2003.
The building's angled brown screens are meant to conjure/notate
movements of the dancers and the architects contacted the Dance
Notation Bureau and the Balanchine Foundation to acquire the
labanotation and score for Balanchine's "Serenade," a ballet that was
to be danced by the daughter of the building's major donor at its
opening. "The building was initially conceived by a father
and daughter's quest to find a distinguished ollege dance program.
During their research, they found the Unviersty of Arizona
had the BEST dance program with the WORST faculity,' the article on the
project noted, adding that the architects immersed themselves "with the
IDEA of movement."
The architects said that they "overlaid the 'plans' of the starting
positions for each movement of Serenade' and created a matrix from
which emerged the 'grid' of titled columns that support the glass
encased dance studio on the second flloor of the building."
"Serenade" was the first ballet that Balanchine did for the
students of the American Ballet."
The building is raised on pilotis. It is en pointe!
Jubilee
Church by Richard Meier in Rome, 2003
A somewhat
similar "succession of shells" can be found in Richard Meier's Jubilee
Church that was erected in Rome between 1996 and 2003. Its
curved "shells" are, the author maintained, "like sails billowing in
the wind." The work was commissioned by the Vicariato of Rome
which held a competition to which it invited such other famous
architects as Peter Eisenman, Frank O. Gehry and Santiago Calatrava.
Kunsthaus
Graz in Austria by Cook/Fournier, 2003
The
Kuntshaus in Graz, Austria was designed in 2003 by Cook/Fournier.
"Described as a 'friendly alien' by its creators, the
Kunsthaus Graz is located on the bank of the Mur river...[and] the
bluish skin of the structure appears to hover above the glass-walled
ground floor. The biomorphic upper section of the building
contains two large exhibition decks. Sixteen nozzle-like
north oriented openings project upward from the skin of the building to
admit daylight. In the upper levels, bridges link the 23-meter high new
structure with the 'Eisernes Haus' whose cast-iron construction - which
is the oldest of its kind in Europe and listed as a historical monument
- was renovated as part of the construction work on the Kunsthaus."
The design was originally intended for a different site inthe
city where the architects had planned that part of its form would be a
wild dragon's tongue and they kept that part of the design in the new
location.
Prada Aoyama
Building in Minato-ku, Tokyo, Japan, by Herzog & de Meuron, 2003
On a small site, Herzog
& de Meuron erected a retail store for Prada with a facade with
840 glass panels, 205 of which have a spherical, conical shape and 16,
on the ground floor, with a concave shape. The interior
configurations and the interiors are no less complex. The
building was completed in 2003.

ING Group Headquarters, Amsterdam by Meyer en van Schooten, 2002
The ING Group Headquarters
building in Amsterdam looks like an ungainly but impressive 16-leg
beetle or the forward section of a gigantic World War II bomber raised
up on stilts. The author wrote that "Like an apparition out
of a 'Star Wars' movie, the ING Headquarters building looks almost as
though it is ready to move forward on its legs." The pilotis
vary in height and the building is quite energy efficient and its shape
was designed to maximize views on one side of the city's "green zone"
and on the other of the city. The building has various atria,
loggia and gardens as well as a thermal underground storage.
The
Ysios Winery in Laguardia, Alava, Spain, by Santiago Calatrava, 2002
The Ysios
Winery in Laguardia, Alava, Spain was designed by Santiago Calatrava in
2002 for the Bodegas & Bebidas Group for its new Rioja Alavesa
wine. Walls covered with wooden planks "evokethe image of a
row of wine barrels" and the roof is covered aluminium and laminated
wood panels and the book says that the "result is a 'ruled surface
wave,' which combines the concave and convex surfaces as it evolves
along the longitudinal axis.