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Contemporary Art

Sotheby's

10:15AM, November 10, 2005

Sale 8130

"Row Ties" by Thiebaud

Lot 203, "Row Ties," by Wayne Thiebaud, oil on board, 13 1/2 by 16 1/2 inches, 1970

By Carter B. Horsley

This morning auction of Contemporary Art at Sotheby's November 10, 2005 is highlighted by a great painting by Wayne Thiebaud, a nice sculpture by Arnaldo Pomodoro, a fine painting by Barbara Kruger, a nice Cy Twombly, a strong Helen Frankenthaler and a good Malcolm Morley.

Wayne Thiebaud (b. 1920) is best known for his luscious still lifes and dramatic urban scapes. Lot 203 is a very fine study of rows of men's neckties that is surprisingly powerful given its small size of 13 1/2 by 16 1/2 inches. Executed in 1970, it has an estimate of $300,000 to $400,000. This lot is the back-cover illustration of the catalogue.

"Disco" by Pomodoro

Lot 185, "Disco," by Arnaldo Pomodoro, bronze with gold patina, 36 inches in diameter, 1966, second artist's proof from an original edition of 3

Lot 185 is a very handsome bronze with gold patina sculpture by Arnaldo Pomodoro (b. 1926). Entitled "Disco," it is 36 inches in diameter and was executed in 1966 and is the second artist's proof from an original editionof 3. It has a modest estimate of $40,000 to $60,000.

"Untitled" by Krasner

Lot 116, "Untitled," by Lee Krasner, gouache on paper, 22 1/2 by 30 inches, circa 1964

Lot 116 is a good untitled abstraction by Lee Krasner (see The City Review article on a Krasner exhibition). A gouache on paper, it measures 22 1/2 by 30 inches and was executed circa 1964. It has a modest estimtae of $60,000 to $80,000.

"Gaudeamus Igatur (In Gay Enjoyment)" by Hofmann

Lot 136, "Gaudeamus Igatur (In Gay Enjoyment)," by Hans Hofmann, oil on canvas, 60 1/8 by 48 1/8 inches, 1963

Lot 136, "Gaudeamus Igatur (In Gay Enjoyment," is a strong abstraction by Hans Hofmann (1880-1966). An oil on canvas, it measures 60 1/8 by 48 1/8 inches. Executed in 1963, it has an estimate of $300,000 to $400,000.

"Aqueduct" by Frankenthaler

Lot 255, "Aqueduct," by Helen Frankenthaler, acrylic on canvas, 62 1/4 by 39 1/2 inches, 1987

Lot 255 is a strong abstraction by Helen Frankenthaler (b.1928) that is entitled "Aqueduct." An acrylic on canvas, it measures 62 1/4 by 39 1/2 inches and was executed in 1987. It has a modest estimate of $100,000 to $150,000.

"Ramification" by Twombly

Lot 200, "Ramification," by Cy Twombly, oil, pencil and oilstick on paper collage on paper, 33 1/4 by 27 1/4 inches, 1971

Lot 200 is a good 1971 work by Cy Twombly (b. 1928). Entitled "Ramification," is is an oil, pencil and oilstick on paper collage on paper that measures 33 1/4 by 27 1/4 inches. It has an estimate of $250,000 to $350,000.

"Untitled" by Twombly

Lot 175, "Untitled," by Cy Twombly, pencil, wax crayon and gouache on paper, 25 1/2 by 20 inches, 1971

Lot 175 is a simple but good pencil, wax crayon and gouache on paper by Cy Twombly. It measures 25 1/2 by 20 inches. executed in 1971, it has an estimate of $200,000 to $300,000.

A work that employs a somewhat similar palette and composition but is far more interesting is Lot 155, "Split Level, Weather Vane," by Malcolm Morley (b. 1931). An oil on pencil on canvas, it measures 37 1/2 by 45 1/2 inches and was executed in 1964. It has a modest estimate of $30,000 to $40,000.

"Not Stupid Enough" by Kruger

Lot 353, "Not Stupid Enough," by Barbara Kruger, photographic silkscreen ink on vinyl, 109 inches square, 1997

Lot 353 is a fine large photographic silkscreen in on vinyl by Barbara Kruger (b. 1945). Entitled "Not Stupid Enough," it measures 109 inches square and was executed in 1997. It was included in the retrospective exhibition on the artist in 1999-2000 at The Museum of Contemporary Art in Los Angeles and the Whitney Museum of American Art in New York. It has an estimate of $250,000 to $350,000.

"Faith Curse" by Gilbert & George

Lot 354, "Faith Curse," by Gilbert & George, hand colored photographs, 20 parts, 94 3/4 by 98 3/8 inches overall, 1982

Lot 354 is a good large work by Gilbert (b. 1943) & George (b. 1942). Entitled "Faith Curse," it consists of 20 hand colored photographs and overall it measures 94 3/4 by 98 3/8 inches. Executed in 1982, it has an estimate of $200,000 to $300,000.

"Chintz Girls" by Laura Ford

Lot 319, "Chintz Girls (group of 5 works)," by Laura Ford, plaster, wire and fabric, each 39 1/8 by 28 1/4 by 28 1/4 inches, 1998

The most charming work in the auction is Lot 319, "Chintz Girls," by Laura Ford (b. 1961). The work consists of five figures of girls in chintz, each 39 1/8 by 28 1/4 by 28 1/4 inches and made of plaster, wire and fabric. The work was executed in 1998 and has an estimate of $80,000 to $120,000.

"Two Diners (A)" by Artschwager

Lot 415, "Two Diners (A)," by Richard Artschwager, formica and acrylic on celotex in painted artist's wood frame, 63 by 61 1/2 by 4 inches, 1986

Richard Artschwager (b. 1923) has a great sense of texture and one suspects he makes great sandcastles. Lot 415, "Two Diners (A)," is a fine example of his art, a formica and acrylic on celotex in painted artist's wood frame. It measures 63 by 61 1/2 by 4 inches and was executed in 1986. It has a modest estimate of $40,000 to $60,000.

"Painter with Sons and Frog" by Chia

Lot 424, "Painter with Sons and Frog," by Sandro Chia, oil on canvas, 86 1/4 by 79 1/2 inches, 1984

Lot 424 is an impressive and colorful painting by Sandro Chia (b. 1946) that is entitled "Painter With Sons and Frog." An oil on canvas, it measures 86 1/4 by 79 1/2 inches and was executed in 1984. It has an estimate of $120,000 to $180,000.

"Odin and the World Ash" by Kiefer

Lot 444, "Odin and the World Ash," by Anselm Kiefer, printed paper, oil and mixed media on burlap, 66 1/4 by 74 1/2 inches, 1981

Lot 444 is a large printed paper, oil and mixed media on burlap by Anselm Kiefer (b. 1945). Entitled "Odin and the World Ash," it measures 66 1/4 by 74 1/2 inches and was executed in 1981. It has an estimate of $300,000 to $400,000.

See The City Review article on the Fall 2005 Contemporary Art evening auction at Sotheby's

See The City Review article on the Fall 2005 Post-War and Contemporary Art evening auction at Christie's

See The City Review article on the Spring 2005 Contemporary Art evening auction at Sotheby's

See The City Review article on the Spring 2005 Contemporary Art evening auction at Christie's

See The City Review article on the Fall 2004 Contemporary Art evening auction at Sotheby's

See The City Review article on the Fall 2004 Contemporary Art evening auction at Christie's

See The City Review article on the Spring 2004 Contemporary Art evening auction at Christie's

See The City Review article on the May 12, 2004 morning session Contemporary Art auction at Christie's

See The City Review article on the May 12 Contemporary Art evening auction at Sotheby's

See The City Review article on the May 13 Contemporary Art morning auction at Sotheby's

See The City Review article on the Fall 2003 Contemporary Art evening auction at Christie's

See The City Review article on the Contemporary Art evening auction at Sotheby's Fall 2003

See The City Review article on the Contemporary Art evening auction at Christie's Spring 2003

See The City Review article on the Contemporary Art evening auction at Sotheby's Spring 2003

See The City Review article on the Contemporary Art evening auction at Christie's Fall 2002

See The City Review article on the Contemporary Art evening auction at Sotheby's Fall 2002

See The City Review article on the Contemporary Art day auction at Christie's in Spring 2002

See The City Review article on the Contemporary Art evening auction at Sotheby's May 15, 2002

See The City Review article on the Contemporary Art day auction at Sotheby's May 16, 2002

See The City Review article on the Contemporary Art evening auction in the fall of 2001 at Christie's

See The City Review article on the Contemporary Art evening auction at Sotheby's that follows this auction November 14, 2001

See The City Review article on the Post-War Art evening auction at Christie's November 13, 2001

See The City Review article on Contemporary Art evening auction at Phillips de Pury & Luxembourgh November 12, 2001

See The City Review article on the Contemporary Art evening auction in the Spring of 2001

See The City Review article on the Contemporary Art evening auction at Sotheby's May 15, 2001

See The City Review article on the Christie's Post-War Art evening auction May 16, 2001

See The City Review article on the Post-War art day auction at Christie's May 17, 2001

See The City Review article on Post War Art evening auction at Christie's, Nov. 15, 2000

See The City Review article on the Contemporary Art evening auction at Sotheby's, Nov. 14, 2000

See The City Review article on the Contemporary Art evening auction at Phillips, Nov. 13, 2000

See The City Review article on Contemporary Art Part II auction at Phillips, Nov. 14, 2000

See The City Review Article on the May 18-9 Contemporary Art auctions at Phillips

See The City Review article on the May 16, 2000 evening auction of Contemporary Art at Christie's

See The City Review article on the May 17, 2000 Contemporary Art evening auction at Sotheby's

See The City Review article on the Fall, 1999 auction of Contemporary Art at Christie's

See The City Review article on the Sotheby's Nov. 17, 1999 auction of Contemporary Art

See The City Review article on the auctions of Contemporary Art from a European Private Collection and Contemporary Art, Part 2, at Sotheby's Nov. 18, 1999

See The City Review article on the May 18, 1999 Contemporary Art Auction at Sotheby's

See The City Review article on Contemporary Art Part 2 auction at Sotheby's May 19, 1999

See The City Review article on the Christie's, May 19, 1999 Contemporary Art auction

See The City Review article on the Christie's, May 20, 1999 Contemporary Art Part 2 auction

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