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African, Oceanic & Pre-Columbias Art

Sotheby's
New York


10 AM, May 11, 2012

Sale 8858


Banama gazelle

Lot 69, Bamana Zigzag figure, Mali, 27 1/4 inches high

By Carter B. Horsley

The May 11, 2012 auction of African, Oceanic & Pre-Columbian Art at Sotheby's New York has more than a dozen spectacular works of art including several Bamana works.

The star highlight of the auction is Lot 69, a magnificent Bamana "Zigzag" figure from Mali that is 27 1/4 inches high.  Its provenance includes Charles Ratton of Paris, Sam Wagstaff of Detroit and William Rubin of New York.  The work was exhibited at the Museum of Modern Art in the 1984-5 exhibition "Primitivism in 20th Century Art," and at the Metropolitan Museum of Art in the 2002-3 exhibition "Genesis: Ideas of Origin in African Sculpture."  

The catalogue indicates that the work is a headdress.

It has a modest estimate of $400,000 to $600,000.  It sold for $3,658,500 including the buyer's premium as do all results mentioned in this article.  It set an auction record for a Bamana sculpture at auction.  The sale sold 150 of 209 offered lots, 71.8 percent, for $14,580,501.


Banama mask

Lot 77, Hyena mask for the Kore Society, Bamana, 15 1/2 inches high

Another very fine Bamana work is Lot 77, a Hyena mask for the Kore Society.  It is 15 1/2 inches high. It has an estimate of  $40,000 to  $60,000.  It sold for $31,250.
  
Banama lady

Lot 25, female Sogo Bo marionette head, Bamana, Segou  Region, 30 1/2 inches high

Another wonderful Bamana piece is Lot 25, a female Sogo Bo marionette head from the Segou Region.  It is 30 1/2 inches high.   A similar piece reported was once in the collection of Helena Rubenstein.  The lot has an estimate of $60,000 to $90,000.  It sold for $68,500.



Matisse lady

Lot 81, seated female figure, Bamana, Mali, attributed to the Master of the Raptor Profile, 24 inches high

Lot 81 is a great Bamana seated female figure from Mali that is attributed to the Master of the Raptor Profile.  It is 24 inches high and one of 10 works attributed to the artist, five one  which are seated female figures. One of the others is in the British Museum and another in the Naprstko Muzeum in Prague.  

This work, which is notable for large treatment of the hands and the finess of her coiffure, was once in the collection of Henri Matisse.

Michael Fitzgerald, professor of art history at Trinity College in Hartford, Conn., has an essay on Matisse's interest in African Art in which this lot is shown in a photograph with the artist and also in "Three Sisters," a 1917 painting in the collection of Albert C. Barnes.

The lot, which was consigned by the artist's descendants, has an modest estimate of $150,000 to $250,000.  It sold for $782,500.

Matisse man

Lot 83, Kanak Ancestor Ffigure, New Caledonia, 61 1/4 inches high

Another consignment from Matisse's family is Lot 83, a very tall and delicate Kanak ancestor figure from New Caledonia.  It is 61 1/4 inches high andhas a modest estimate of $20,000 to $30,000.  It sold for $46,825,

Matisse mask

Lor 82, Mask, Lega, Democratic Republic of the Congo with possible alterations by Henri Matisse, 8 1/8 inches high

A third Matisse piece is Lot 82, a Lega mask from the Democratic Republic of the Congo has possible alterations by the artist.  It is 8 1/8 inches high.  In a catalogue essay, Michael Fitzgerald, professor of art at Trinity College in Hartford, Conn., noted that "devoid of decorative borders or other details, the Lega 'Mask' is a tour-de-force of minimalist volumes." It has a very modest estimate of $5,000 to $7,000.  It sold for $362,500!

Elephant skin mask

Lot 200, Mask, Lega, elephant hide and chicken feathers, Democratic Republic of the Congo, 10 inches high

One of the scariest works i n the auction is Lot 200, a Lega mask of elephant hide and chicken feathers from the Democratic Republic of the Congo.  It is 10 inches high and only two other examples are known to exist, according to the catalogue.  It was once in the collection of Julius and Josepha Carlebach and Zafira and Itzhak Shoher.  It has an estimate of $200,000 to $300,000.  It sold for $242,500.

Face of holes

Lot 119, "We (Ingere) mask," Gere subgroup, Ivory Coast, 11 12 inches high

Lot 119 is a very powerful and stunning "We (Ingere) mask, Gere subgroup" from the Ivory Coast.  It is 11 1/2 inches high. It is illustrated in the chapter on Dada and Surrealist art in the Museum of Modern Art 1984 catalogue, "Primitivism in 20th Century Art: Affinity of the Tribal and the Modern." It has an estimate of $40,000 to $60,000.  It sold for $59,375.


Turtle shell mask

Lot 208, Tortoise shell mask, Torres Strait Islands, Papua, New Guinea, 7 5/8 inches high

One of the most spectacular lots in the auction is Lot 208, a tortoise shell mask from the Torres Strait Islands of Papua, New Guinea.  It is 7 5/8 inches high and was once in the collections of Julius and Josepha Carlebach and Zafira and Itzhak Shoher of Tel Aviv.  The catalogue entry notes that Douglas Fraser once wrote that the Torres Straits masks are "one of the outstanding art forms of the primitive world." It has an estimate of $150,000 to $250,000.  It sold for $146,500.

Kota face

Lot 131, reliquary figure, Kota, Gabon, 27 3/8 inches high

The dramatic cover illustration of this auction's catalogue is a close-up of Lot 131, a Kota-Ndasa mbulu-ngulu Reliquary figure from the Southern Kota Region in Gabon.  It is 27 2/8 inches high. In an essay in the catalogue, Dr. Louis Perrois notes that this lot "is of great age, dating from the early nineteenth if not the late  eighteenth centuries.  It is a major work of its genre,...and constitutes one of the accomplished jewels of Kota statuary. The frontispiece of the catalogue is a black-and-white photograph of a collection of 11 such figures that belonged to the American artist Arman and this work is included in the photogragh.  It has an estimate of  $1,000,000 to $1,500,000.  It sold for $1,082,500.

Buyu figure

Lot 192, Buyu male ancestor figure, Democratic Republic of the Congo, 18 1/8 inches high

Lot 192 is a Buyu male ancestor figure from the Democratic Republic of the Congo.  It is 18 1/8 inches high.  The catalogue entry notes that "it was the American art impressario and philanthropist Albert C. Barnes, presumably acting on the advice of Modigliani's dealer Paul Guilaume, who made Buyu art famous by using the features of a Buyu face...as modular element for the stucco frieze surrounding the main entrnace of The Barnes Foundation in Lower Merion [Pa.] which opened its doors to the public  in 1926."

The lot has an estimate of $600,000 to $900,000.  It sold for $2,434,5000, a world auction record for a Buyu sculpture.

Dogan lady
Lot 72, female figure, Dogon, Ogol circle of artists, Mali, 24 1/2 inches high

Lot 72 is an impressive Dogon female figure from the Ogol circle of artists in Mali.  It is 24 1/2 inches high and has once been in the collection of John J. Klejman of New York.  The lot is one of 17 known similar works and is notable for its lack of eyes and the angularity of the treatment of arms.  The lot has an estimate of $250,000 to $350,000.  It sold for $542,500.


Dogon housepost
Lot 84, anthropomorphic Toguna housepost, Dogon, Mali, 58 1/2 inches high

Lot 84 is a very evocative and lovely Dogon Toguna housepost from Mali that is 58 1/2 inches high.  It is from the collection of Susan and Jerry Vogel of New York.  It has an estimate of $12,000 to $18,000.  It sold for $34,375.

Salampasu mask


Lot 189, Salampasu mask, Democratic Republic of the Congo, 11 3/4 inches high

Lot 189 is a memorable Salampasu mask from the Democratic Republic of the Congo.  It is 11 3/4 inches high.  It has an estimate of $60,000 to $90,000.  It failed to sell.


Mimuye figure

Lot 122, Ancestor figure, Mumuye, Nigeria, 35 3/4 inches high

Lot 122 is a Mumuye ancestor figure from Nigeria. It is 35 3/4 inches high.  It has an estimate of $40,000 to $60,000.  It sold for $110,500.



Elephant man

Lot 164, "bone figure, Azande, Democratic Republic of the Congo, 7 1/4 inches high


Lot 164 is an Azande bone figure from the Democratic Republic of the Congo.  It is 7 1/4 inches high and was once in the collection of Julius Carlebach, Stanley Marcus and Martin Lerner.  It has an estimate of $40,000 to $60,000.  It sold for $512,500, an auctin record for an Azande sculpture.




See The City Review article on the Spring 2012 article on Masterpieces of African Art from the collection of the late Werner Muensterberger at Sotheby's New York

See The City Review article on the Spring 2012 Arts of Africa, Oceania and the Americas auction at Christie's New York

See The City Review article on the Spring 2009 auction of African and Oceanic Art from the Renee and Chaim Gross Foundation at Sotheby's

See The City Review article on the Fall 2008 African, Oceanic and Pre-Columbian art auction at Christie's

See The City Review article on the Fall 2008 African, Oceanic and Pre-Columbia art auction at Sotheby's

See The City Review article on Spring 2008 African, Oceanic and Pre-Columbian Art auction at Sotheby's

See The City Review article on Spring 2007 African, Oceanic and Pre-Columbian Art auction at Sotheby's

See The City Review article on the Saul and Marsha Stanoff Collection of African, Oceanic, Pre-Columbian and Indian Art auction at Sotheby's May 17, 2007

See The City Review Article on the William Brill Collection of African Art at Sotheby's November 17, 2006

See The City Review article on the Fall 2006 African, Oceanic and Pre-Columbian art auction at Sotheby's

See The City Review article on the Fall 2005 African & Oceanic art auction at Sotheby's

See The City Review article on the Spring 2005 African & Oceanic Art auction at Sotheby's

See The City Review article on the Fall 2004 African & Oceanic Art auction at Sotheby's

See The City Review article on the Spring 2004 African & Oceanic Art auction at Sotheby's

See The City Review article on the Fall 2003 Tribal Art auction at Sotheby's

See The City Review article on the Spring 2003 Tribal Art auction at Sotheby's

See The City Review article on the Fall 2002 Tribal Art auction at Sotheby's

See The City Review article on the Spring 2002 Tribal Art auction at Sotheby's

See The City Review article on the Fall 2001 African & Oceanic Art auction at Sotheby's

See The City Review article on the Spring 2000 African and Oceanic Art auction at Sotheby's

See The City Review article on the Fall 1999 African and Oceanic Art auction at Sotheby's

See The City Review article on the Spring 1999 African and Oceanic Art auction at Sotheby's

See The City Review article on the Fall 1998 Sotheby's African and Oceanic Art auction

See The City Review article on the Spring 1998 Sotheby's African and Oceanic Art auction

 



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