Detail of Lot 38
It was the first portrait the
artist did of Mr. Dyer, his lover. The lot has an estimate on
request. It sold for
$51,767,500.
Lot
6, "Leda and the Swan," by Cy Twombly, oil, lead pencil and wax crayon
on canvas, 75 1/4 by 78 3/4 inches, 1962
Lot
6, Leda and the Swan," is a large oil, pencil and was crayon on canvas
by Cy Twombly (1928-2011). It measures 74 1/8 by 78 3/4 inches
and was painted in 1962. The artist painted this subject 6 times
in the 1960s and a more cluttered version is in the collection of
the Museum of Modern Art in New York. The catalogue remarked that
it "comprised a centralized flurry of spontaneous and impulse-driven
painterly activity scrawled, scribbled, smeared, splashed and scratched
onto a large white canvas directly with his hands." It is one of
his better works if only because it begins to mimic the spatial words
of Matta, an infinitely greater artist. It has an estimate of
$35,000,000 to $55,000,000. It
sold for $52,887,500.
Lot 58,
""Big Campbell's Soup Can with Can Opener (Vegetable), by Andy Warhol,
casein and graphite on linen, 72 by 52 inches, 1962
Lot
58, "Big Campbell's Soup Can with Can Opener (Vegetable)," by Andy
Warhol (1928-1987), casein and graphite on linen, 72 by 52 inches,
1962. The painting was once owned by Mr. and Mrs. Burton Tremaine
of Meridien and became the first Warhol to be shown at a museum when it
was shown at the Wadsworth Atheneim in Hartford in 1962 and in 1987 it
became the first Post-War American work to enter the collection of
Barney A. Ebsworth. It has been widely exhibited and
published. It has an estimate on request. It sold for $27,500,000.
Lot 35, "Untitled (after
Sam)," by Rudolf Stingel, oil on canvas, 132 by 180 inches, 2006, left;
Lot 37, "Julian," by Urs Fischer, paraffin wax, microcrystalline wax,
pigment, oil, steel and wicks, 100 inches high, 2014, number one from
an edition of two plus two artist's proofs, right
Lot 35, "Untitled (After Sam)," is a huge
oil on canvas by Rudolf Stingel (b. 1956). It measures 132 by 180
inches and was painted in 2006. At the auction exhibition it was
prominently shown in between the staircases. It is one of four
very large self-portraits that were exhibited in 2007 in his mid-career
retrospective at the Museum of Contemporary Art in Chicago and then the
Whitney Museum of American Art. The artist used photographs taken
by Sam Samore, the "After Sam" referenced in the title. The lot
has an estimate of $10,000,000 to $15,000,000. It sold for $10,551,500.
Lot 37, "Julian," by
Urs Fischer,
is a paraffin wax, microcrystalline wax, pigment, oil, steel and wicks
work that is 100
inches high. It was created in 2014, and is number one from an edition
of two plus two artist's
proofs. It has an estimate of $2,000,000 to $3,000,000. It sold for $3,367,500.
Lot 55,
"La Hara," by Jean-Michel Basquiat, acrylic and oilstick on wood panel,
72 by 47 3/4 inches, 1981
Lot 55 is a strong acrylic and oilstick
on wood panel by Jean-Michel Basquiat (1960-1988). It measures 72
by 47 3/4 inches. It has been widely exhibited. It has an
estimate of $22,000,000 to $28,000,000. It sold for $34,967,500.
Lot 65, "Elaine," by Jean-Michel
Basquiat," acrylic, oilstick and Xerox collage on canvas, 86 by 68
inches, 1985
Another
Basquiat is Lot 65, "Elaine," an acrylic, oilstick and Xerox collage on
canvas that measures 86 by 68 inches. It was created in
1985. It has an estimate of $5,000,000 to
$7,000,000. It sold for
$5,959,500.
Lot
60, "Le Truand," by Jean Dubuffet, oil on canvas, 45 1/2 by 35 1/8
inches, 1954
Lot 60 is a fine oil on canvas by Jean
Dubuffet (1901-1965) entitled "Le Truand." It measures 45 1/2 by
35 1/8 inches and was painted in 1954. It was owned by Baron Elie
Robert de Rothschild and Peter Marino International Ltd. It has
an estimate of $2,000,000 to $3,000,000. It sold for $5,511,500.
Lot 57, "Red
and White Brushstrokes," by Roy Lichtenstein, oil and Magna on canvas,
48 by 68 inches, 1965
Lot 57, "Red and White Brushstrokes" is a
good oil and Magna on canvas by Roy Lichtenstein (1923-1997). It
has an estimate of $25,000,000 to $35,000,000. It sold for $28,247,500.
Lot
64, "I Refuse to be Invisible," by Nadeka Akunyil Crosby, ink,
charcoal, acrylic and transfers on paper, 117 3/4 by 82 inches, 2010
Lot
64 is a good work by Nadeka Akunyil Crosby (b. 1983) entitled "I Refuse
to be Invisible." The ink, charcoal, acrylic and transfers on
paper work measures 117 3/4 by 82 inches and was created in 2010.
It has an estimate of $1,500,000 to $2,000,000. It sold for $2,647,500.
Lot
53, "Untitled," by Maurizio Cattalan, resin, paint, human hair,
clothing, packing tissue, wood and screws, 92 3/4 inches high, 2007,
number 2 from an edition of 3 plus 2 artist's proofs
Lot 53 is a strong work by
Mauricio Cattalan (b.1960) that is untitled and 92 3/4 inches
high. It was created in 2007 and is number 2 from an edition of 3
plus 2 artist's proofs. It has been widely exhibited. It has an
estimate of $1,500,000 to $2,500,000. It sold for $1,507,500.
Lot 73, "Garden Ornaments," by Isamu
Noguchi, Mannan Granite, large element is 102 inches high, 1958
Lot 73 is a pair of "Garden
Ornaments" in Mannan granite by Isamu Noguchi (1904-1988). The
lot has a very modest estimate of $1,000,000 to $1,500,000. It sold for $4,727,500.
Lot 36, "Untitled (S III Released to France Face 43.14)," is a large
oil on cardboard mounted on canvas by Mark Grotjahn (b. 1968). It
has an estimate of $13,000,000 to $16,000,000. It sold for $16,767,500.