Lot 2, "Antheriums," by David Hockney, oil on canvas on painted artist's frame, 41 by 53 1/2 inches overall, 1995
Lot 37, Nu Debout," by Nicholas de Stael, oil on canvas, 57 1/8 by 35 1/8 inches, 1953
If
Bradford's intricate roadmaps of paint are three-dimensional, Nichalas
de Stael's palette-knife scrapes are mesmerizingly tactile, especially
in Lot 37, "Nu Debout," a 1953 oil on canvas that measures 57 1/8 by 35
1/8 inches. de Stael's painterliness is as awesomely visceral as
Bacon's. This painting has been very widely exhibited. It
has an estimate of $7,500,000 to $9,500,000. It sold for $12,125,000.
Lot 31, "Untitled," by Diebenkorn, gouache, charcoal and pasted paper on joined paper, 33 by 23 inches, 1986
Lot 39, "Lettre sur les sourds et muets I," by Frank Stella, synthetic polymer paint on canvas, 141 inches square, 1974
Lot 11, "Untitled," by Joan Mitchell, oil on canvas, 81 1/4 by 108 1/2 inches, 1958
Lot 11 is a fine and large, 1958 oil on
canvas by Joan Mitchell (1925-1992). It measures 81 1/4 by 108
1/2 inches. It was included in a retrospective exhibition at the
Whitney Museum of American Art, the Birmingham Museum of Art, the
Modern Art Museum of Fort Worth and the Des Moines Art Center in
2002-4. It has an estimate of $7,000,000 to $9,000,000. It
sold for $9,087,500.
Lot 18, "Nude and Forms," by George Condo, oil on canvas, 80 by 72 inches, 2014
Lot
18 is a fine large oil on canvas by George Condo (b. 1957) entitled
"Nude and Forms." It measures 80 by 72 inches and was painted in
2014. The catalogue entry references the artist's interest in
Cubism. The lot has an estimate of $2,200,000 to
$2,800,000. It sold for $6,162,500.
"(Thus) in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original supestar artist, 'Double Elvis' is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and a lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as a metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age..." (Sotheby's catalogue for this sale)."
At this auction, the lot has an estimate on request. It sold for $37,042,500.
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Fall 2012 Impressionist & Modern
Art auction at Sotheby's New York
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City
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City Review article on the Fall 2011 Impressionist & Modern Art
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City Review article on the Fall 2010 Impressionist & Modern Art
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City Review article on the Spring 2010 Impressionist & Modern
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City
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evening auction at Sotheby's
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City Review article on the Spring 2009 Impressionist & Modern
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City Review article on the Fall 2008 Impressionist & Modern Art
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City Review article on the Fall 2008 Impressionist & Modern Art
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