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Post-War and Contemporary Art Evening Auction

Christie's New York

7 PM, May 17, 2018

Sale 15968


Bacon 7

Lot 7, "Study for Portrait," by Francis Bacon, oil and dry transfer lettering on canvas, 78 by 58 1/4 inches, 1977


By Carter B. Horsley

The May 17, 2018 Contemporary Art Evening Auction at Christie's New York is highlighted by a great painting by Francis Bacon, several superb works by Richard Diebenkorn, a large Mark Bradford, an impressive Nicholas de Stael, a ravishing George Condo, a good Clyfford Still and a nice David Hockney.

Lot 7 is a large "Study for Portrait" of George Dyer by Francis Bacon, an oil and dry transfer lettering on canvas from 1977.  It measures 78 by 58 1/4 inches.  It is from the collection of Magnus Konow.  It has been widely published.

The catalogue entry provides the following commentary:

"The figure...is an ode to carnal pleasure, wrought with fluid, tactile brushstrokes, spectral veils of white and scrumbled strains of color around the eyes and mouth.  It his Dyer in his prime, flickering like a projection or an x-ray presiding over the composition with the tortured grandeur of Bacon's early Popes.  Rarely was his body so passionately articulated with a mixture of raw draughtsmanship and free-style painterly bravura, creating a swirling vortex of physical agitation.  Raised upon a dais against a blank clinical abyss, his quivering form speaks to the transient nature of human existence."

Bacon is the magnified Bosch unveiling our nightmares with stupendous and indelible virtuosity.

The lot has an estimate on request.  It sold for $49,812,500 including buyer's premium.

The sale total was $398, 709,500 with 92 percent of the offered lots selling.

Hockney 2


Lot 2, "Antheriums," by David Hockney, oil on canvas on painted artist's frame, 41 by 53 1/2 inches overall, 1995


Lot 2 is a bright floral painting entitled "Anteriums" by David Hockney (b. 1937) painted in 1995.  An oil on canvas on painted artist's frame,  it measures 41 by 53 1/2 inches oversll.  The catalogue entry notes that "At once radiant and intimate, [it]...marks the painter's triumphant return to painting after a decade spent behind the camera's lens."  It has an estimate of $2,500,000 to $3,500,000.  It sold for $5,600,000.


Bradford 20

Lot 20, "Boreas," by Mark Bradford, mixed media collage on canvas, 102 by 144 inches, 2007

Lot 20 is a very large work by Mark Bradford, entitled "Boreas," that hung between the two staircases at Christie's New York during the auction's exhibition.  A mixed media collage on canvas, it was executed in 2007 and measures 102 by 144 inches. 

The catalogue entry provides the following commentary:

"Mark Bradford's triumphant Boreas is a monumental example of the California artist's layered brand of socially conscious abstraction.  Applying discarded paper remnants salvaged from his native Los Angeles, Bradford adds and subtracts material to arrive at paintings that resemble an eroded canyong or the map of an extraterrestrial surface....The colorful  areas of the painting, obscured partially by the tendril-like marks, prove to be full of classic Bradford material: newspapers, magazines, posters, photographs and a whole host of other unknown visual scraps.  Like a stream of consciousness, Bradford's imagery blends together, appearing in flashes of clarity in an otherwise conglomerated field....The colored expanse underneath the painting's upper crust serves as a sort of engine, driving the action around it and compelling the painting's searching roots to form themselves around the images....He arrived at his recognizable mature style by layering sheets of paper used in his mother's hair salon, where he worked as a teenager, and coloring them with hair dye."

There is a geographic specificity to much of his work that is strong and certain and not ambiguous.

It has an estimate of $5,000,000 to $7,000,000.  It sold for $7,625,000.

De Stael 37

Lot 37, Nu Debout," by Nicholas de Stael, oil on canvas, 57 1/8 by 35 1/8 inches, 1953

If Bradford's intricate roadmaps of paint are three-dimensional, Nichalas de Stael's palette-knife scrapes are mesmerizingly tactile, especially in Lot 37, "Nu Debout," a 1953 oil on canvas that measures 57 1/8 by 35 1/8 inches.  de Stael's painterliness is as awesomely visceral as Bacon's.  This painting has been very widely exhibited.  It has an estimate of $7,500,000 to $9,500,000.  It sold for $12,125,000.


Styll 36

Lot 38, "PH-916 1946-No. 1)," by Clyfford Still, oil on canvas, 71 by 45 inches, 1947

Lot 38 is an abstraction by Clyfford Still (1904-1980) entitled "PH-916 (1946-No. 1)."  An oil on canvas, it measures 71 by 45 inches and was painted in 1947.  It was acquired directly from the artist by Alfonso Ossorio and has been widely exhibited and published.  It has an estimate of $15,000,000 to $20,000,000.  It failed to sell.

Rothko 34

  Lot 27,  "No. 7 (Dark Over Light)," by Mark Rothko, oil on canvas, 90 by 58 5/8 inches, 1954

Lot 27 is a large abstract oil on canvas by Mark Rothko (1903-1970),  Entitled "No. 7 (Dark Over Light,)," it measures 90 by 58 5/8 inches and was painted in 1954.  When this was auctioned at Christie's New York in November, 2007, it had an estimate of $20,000,000 to $30,000 and it sold for $21,041,000.  This time it has an estimate on request.  It sold for $30,687,500.

Diebenkorn 23

Lot 23, "Untitled," by Richard Diebenkorn, gouache, acrylic and crayon on paper, 36 by 25 inches, 1984

The auction contains several works by Richard Diebenborn (1922-1993) that are being sold to benefit the Donald and Barbara Zucker Family Foundation.

Lot 23 is a very vibrant gouache, acrylic and crayon on paper by Diebenkorn that measures 36 by 25 inches and was painted in 1984.  It has a modest estimate of $2,500,000 to $3,500,000.  It sold for $3,850,000.

Diebenkorn 26

Lot 26, "Ocean Park #126," by Diebenkorn, oil on canvas, 93 by 81 inches, 1984

Lot 26 is a large oil on canvas by Diebenkorn's famous "Ocean Park" series.  It measures 93 by 81 inches and was painted in 1984.  It has an estimate of $16,000,000 to $20,000,000.  It sold for $23,937,500.


Diebenkorn 31


Lot 31, "Untitled," by Diebenkorn, gouache, charcoal and pasted paper on joined paper, 33 by 23 inches, 1986


The strongest one in the Diebenkorn group is Lot 31, "Untitled," a gouache, charcoal and pasted paper on jointed paper that measures 33 by 23 inches.  It was painted in 1986.  It has a modest estimate of $1,000,000 to $1,500,000.  It sold for $1,092,500.



Diebenkorn 28

Lot 28, "Untitled," by Diebenkorn, acrylic, crayon, graphite and pasted paper on joined paper, 37 3/8 by 25 inches, 1991

Lot 28 is another untitled Diebenborn that is an acrylic, crayon, graphite and pasted paper on joined paper.  It measures 37 3/8 by 25 inches and was executed in 1991.  It has an estimate of $2,200,000 to $3,000,000.  It sold for $3, 972,500.

Stella 39


Lot 39, "Lettre sur les sourds et muets I," by Frank Stella, synthetic polymer paint on canvas, 141 inches square, 1974



Lot 39 is a large synthetic polymer paint on canvas by Frank Stella (b. 1936) that is entitled "Lettre sur les sourds et muets I."  It is 141 inches square and was painted in 1974.  It has an estimate of $5,000,000 to $7,000,000.  It sold for $7,062,500.

Mitchell  11


Lot 11, "Untitled," by Joan Mitchell, oil on canvas, 81 1/4 by 108 1/2 inches, 1958

Lot 11 is a fine and large, 1958 oil on canvas by Joan Mitchell (1925-1992).  It measures 81 1/4 by 108 1/2 inches.  It was included in a retrospective exhibition at the Whitney Museum of American Art,  the Birmingham Museum of Art, the Modern Art Museum of Fort Worth and the Des Moines Art Center in 2002-4.  It has an estimate of $7,000,000 to $9,000,000.  It sold for $9,087,500.


Condo

Lot 18, "Nude and Forms," by George Condo, oil on canvas, 80 by 72 inches, 2014


Lot 18 is a fine large oil on canvas by George Condo (b. 1957) entitled "Nude and Forms."  It measures 80 by 72 inches and was painted in 2014.  The catalogue entry references the artist's interest in Cubism.  The lot has an estimate of $2,200,000 to $2,800,000.  It sold for $6,162,500.



Elvis by Warhol

Lot 9, "Double Elvis (Ferus Type)," by Andy Warhol, silkscreen ink and spray paint on linen,  81 3/4 by 48 inches, 1963


Lot 9, "Double Elvis (Ferus type)," is a large silkscreen ink and spay paint on linen by Andy Warhol (1928-1987) that was painted in 1963.  It measures 81 3/4 by 48 inches.

The following commentary is from Michele Leight's review at thecityreview,com of the May 9, 2012 auction at Sotheby's New York in which this lot appeared:


"It would be hard to overstate the impact of Elvis - globally - and brilliant Andy Warhol got that. The skinny jean silhouette that Elvis emphasised with his incredible hip swiveling and gyrating while he sang not only catapulted him to the top of the charts, but also sent every teenager on the planet scrambling to find jeans just like his. And then there were the rhinestone encrusted shirts, cowboy boots and that amazing lop-sided smile! He was a style and a Pop icon, impossibly handsome, and that "look" persists in every nook and cranny in the world, even today - but no one can really look like him. Then there was the ethereal voice, that beautiful voice. What a trailblazer Elvis was, captured in superb by Andy Warhol in Lot 27, "Double Elvis (Ferus Type)," executed in 1963:

"(Thus) in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original supestar artist, 'Double Elvis' is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and a lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as a metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age..." (Sotheby's catalogue for this sale)."

At this auction, the lot has an estimate on request. It sold for $37,042,500.


Marshall 54

Lot 54, "You Must Suffer If You Want to Be Beautiful," by Kerry James Marshall, acrylic, graphite, crayon, paper collage and printed paper collage on canvas, 76 by 55 7/8 inches, 1991

Lot 54 is a large work by Kerry James Marshall (b. 1955) who the previous night at Sotheby's New York set an auction record for a work for an Afro-American artist when his painting, "Past Times," sold for more than $21 million, more than four times the artist's previous auction record.  This lot, which is entitled "You Must Suffer If Your Want to be Beautiful" has an estimate of $2,000,000 to $3,000,000.  It sold for $2,922,500.  It meausres 76 byt 55 7/8 inches and was painted in 1991.


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